Production[ edit ] Background and writing[ edit ] Infilmmakers Joel and Ethan Coen began writing the script for a film eventually released as Miller's Crossing.
The many threads of the story became complicated, and after four months they found themselves lost in the process. The new film, Barton Fink, was set in a large, seemingly-abandoned hotel.
While filming their film Blood Simple in Austin, Texasthe Coens Barton fink seen a hotel which made a significant impression: They also felt satisfied with the overall shape of the story, which helped them move quickly through the composition.
John Goodman, who had appeared in their comedy Raising Arizona. Turturro looked forward to playing the lead role, and spent a month with the Coens in Los Angeles to coordinate views on the project: Joel and Ethan allowed me a certain contribution.
I tried to go a little further than they expected. The Coens had been impressed with the work of English cinematographer Roger Deakinsparticularly the interior scenes of the film Stormy Monday. An extended scene called for a tracking shot out of the bedroom and into a sink drain "plug hole" in the adjacent bathroom as a symbol of sexual intercourse.
When they decided to use real flames, however, the crew built a large alternate set in an abandoned aircraft hangar at Long Beach. A series of gas jets were installed behind the hallway, and the wallpaper was perforated for easy penetration.
As Goodman ran through the hallway, a man on an overhead catwalk opened each jet, giving the impression of a fire racing ahead of Charlie.
Each take required a rebuild of the apparatus, and a second hallway sans fire stood ready nearby for filming pick-up shots between takes. In the film, this is shown enigmatically with a wave crashing against a rock.
Several scenes representing work in Hollywood studios were also filmed, but edited out because they were "too conventional".
The Coens later described the hotel as a "ghost ship floating adrift, where you notice signs of the presence of other passengers, without ever laying eyes on any".
New York intellectual Barton Fink comes to Hollywood in to write a screenplay, but he soon finds himself with a severe case of writer's block as a bizarre sequence of events distracts him from his task. Set in the early s, BARTON FINK traces the bizarre foray of its title character (John Turturro) into the dark underbelly of timberdesignmag.com the heels of a hit play, the playwright heads to Tinseltown to make the big bucks writing a B-wrestling film. Aug 21, · Barton Fink is arguably the Coen Brothers masterpiece. Not a single scene is wasted, and that includes the washed out backgrounds, the costumes worn by 69%(19).
The Coens used green and yellow colors liberally in designing the hotel "to suggest an aura of putrefaction". The sweat drips off his forehead like the paper peels off the walls. At the end, when Goodman says that he is a prisoner of his own mental state, that this is like some kind of hell, it was necessary for the hotel to have already suggested something infernal.
This idea returns at the end of the film, when Charlie describes Barton as "a tourist with a typewriter". Barton, she says, represents an author who is able to leave a story, while characters like Charlie cannot. Barton meets Lipnick in one scene beside an enormous, spotless swimming pool.
This echoes his position as studio head, as he explains: Later, when Barton celebrates the completed script by dancing at a USO show, he is surrounded by soldiers. Lipnick has not actually entered the military but declares himself ready to fight the "little yellow bastards".
As the Coens explained: The further the script was developed, the more this theme got left behind, but it had led us, in the beginning, to settle on that period.
The image is repeated at the end of the film, when he meets an identical-looking woman at an identical-looking beach, who strikes an identical pose. After complimenting her beauty, he asks her: In fact, we wanted the only opening on the exterior world to be this picture.
It seemed important to us to create a feeling of isolation. The juxtaposition of his neighbor in the uniform of an insurance salesman and the escapist image of the woman on the beach leads to a confusion of reality and fantasy for Barton.
Critic Michael Dunne notes: The question leads to others: How real is Fink? How real are films anyway?New York intellectual Barton Fink comes to Hollywood in to write a screenplay, but he soon finds himself with a severe case of writer's block as a bizarre sequence of events distracts him from his task.
Aug 21, · Watch video · A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood/10(K).
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