The infamous final two episodes are essentially an Author Filibuster on the human condition and the nature of loneliness. The Movie End of Evangelion was the same, just not taking place on a "big blue ball" and was Due in part to the Mind Screwwhat exactly the Author Filibuster is arguing is a topic of hot contention in the fanbase.
Sci-fi and fantasy authors don't always write all their novels in the same continuity. A budding new author's first published book might be about space pirates in the 27th century, while his sophomore effort might instead be about 21st century scientists reverse-engineering a flying saucer.
In response to popular demand, he might end up writing a sequel to one, or even both of these novels. Flash forward about 20 years — the author has grown wealthy from writing stories about Captain Flash Orangebeard and Dr. Smith of Mars, but he's running out of ideas and the two long-running series are in danger of getting stale.
What does he do to keep the public's interest, and breathe new life into the storylines? Many long-lived genre authors tend to resort to Canon Welding, usually at a later point in their career. They combine two or more distinct series they've created into a single continuity.
This isn't just a one-off Crossover ; for series with radically different premises, the foundations of one or both stories can be altered forever. By combining the two series together, the author can introduce fans of one series to characters they may not be familiar with, inducing them to go out and buy the works in that series, and hopefully attract high sales from fans of both storylines.
When done well, it can add a more epic feel to the tale, explore aspects of the two storylines not previously delved into, and make lots of money for The moving finger by agatha christie essay author and his publisher and there are many examples of this, perhaps most famously The Lord of the Rings.
When done poorly, especially with stories with radically different settings or styles, it looks and feels like a shallow money-grab and can potentially be a shark-jumping moment for both series.
Modular Franchise is when it's done at a corporate level. Compare Shared Universewhich can be created through Canon Welding if it wasn't shared from the beginning. Specifically, these show that Blake's 7 takes place in the same time period as Boucher's popular Doctor Who story " The Robots of Death ".
This was very nearly canonical, as it happens; the invasion force from another galaxy from the finale of Season 2 of Blake's 7 were intended to be the Daleks at one point, but for one reason or another the idea was dropped. In the novel, at least partially for copyright reasons, it's not explicitly stated that Chronotis is a Time Lord in hiding, but it's clearly meant to be the same person.
There's even an oblique little reference at the end to a strange young man permanently disabling his time machine while the POV character wasn't around It was later taken to ridiculous extents in The '60s and The '70sas the creators were beginning to run out of ideas.
Super Robot Wars is already a Crossover series, with nearly as many canons as it has games — most entries take place in their own continuities, created by fusing together the stories of whichever Humongous Mecha shows are featured in that particular installment, but there are a few characters who show up in multiple continuities, and while most of them are Alternate Universe versions of each other, the likes of Gilliam Yeager for example, whose gimmick involves hopping between dimensions, is implied to be the same individual in all his appearances, no matter what continuity he's in.
This in turn would make any games with Gilliam in them part of the same Multiverse. With Project X Zoneany Capcom and Bandai Namco series not already included into this multiverse will most likely be added; however, there will also be dozens of Sega series in the game like Virtua Fighter and Valkyria Chronicles.
The franchise has had this going since the beginning. The Showa-era shows original through Kamen Rider BLACK RX explicitly took place in the same universe, and the previous Riders would often show up near the end of the latest series to help out the current hero.
The movies produced in the hiatus years Shin Kamen Rider: Kamen Rider Decade deliberately says that the Heisei shows all occupy their own separate universe Great Shocker, which crosses over with the entire Showa-era universe as well.
Movie War also adds Kamen Rider Double to the mix. Then Kamen Rider Fourze decided to just bite the bullet and imply at the end of episode 2 that every show in the franchise is set in the same universe, with Word of God saying that they're going to Retcon the elements of Decade that didn't work.
ZO and J fight a multi-seasonal batch of monsters in Kamen Rider World 8-minute theme park thingy, may not be canonical but never said not to be, and not contradicting anything which puts all three hiatus movies yes, Shin provided a monster into old-school KR continuity.
Kuuga's mention of a Professor Hongo and an imitation of him, which means he must have known the Hongo put Kuuga and Agito into it as well. However, Decade makes the multiverse more complicated with its alternate universes bearing variable resemblance to — and rarely literally being — the worlds of the actual series it's crossing over with.
We even get Black and Black RX as separate worlds, as well as Kuuga and Agito, with alternate versions of some of the same people. Some Decade worlds have versions of Riders of other worlds with no dimension-hopping.
It's the second Ryuga we meet, and no, the first wasn't in the World of Ryuki, either. Decade's own Mind Screw -itiude and A Wizard Did It attitude makes it nigh useless for working out continuity issues or finally answering which of your favorite Riders can kick the other's ass. Post-Decade teamup occasions not requiring any dimension-hopping as it was with pre-Decade teamup occasions would seem to have all things Kamen Rider in one universe, with past Riders still out there after they leave our sight like any character in any show who has been Put on a Bus.
As closest anyone can figure, here's how the Kamen Rider multiverse seems to work: The Heisei era shows from Kuuga to Kiva plus most of their movies appeared to each take place in their own continuity, so completely separate were they, with the notable exception of Kiva and Den-O the second Den-O movie has the Kiva gang cameo, and Kiva himself joins in the final battle and the possible exception of Kuuga and Agito there's a reference, and there are a few points that take some Fan Wank to make fit neatly.Dear Twitpic Community - thank you for all the wonderful photos you have taken over the years.
We have now placed Twitpic in an archived state. timberdesignmag.com offers free public-domain books online for all to use. Ranging from children's books, environmental studies, birds and birding, to Boston history and philosophy, we have a lot to offer!
Murder on the Orient Express is a detective novel by British writer Agatha Christie featuring the Belgian detective Hercule timberdesignmag.com was first published in the United Kingdom by the Collins Crime Club on 1 January In the United States, it was published on 28 February , under the title of Murder in the Calais Coach, by Dodd, Mead and Company.
The UK edition retailed at seven.
Essays and criticism on Agatha Christie's The Mousetrap - Critical Evaluation. Essay Agatha Christie. Murder of Roger Ackroyd, The; The Moving Finger. Agatha Christie. A Pocket Full of Rye.
Essays and criticism on Agatha Christie's The Murder of Roger Ackroyd - Critical Essays. Murder of Roger Ackroyd, The; The Moving Finger.
Agatha Christie. A Pocket Full of Rye. Agatha Christie. Mar 28, · The Ageless Agatha Christie: Essays on the Mysteries and the Legacy () edited by J. C. Bernthal Source: Review Copy (McFarland & Company Inc.) I was excited to get my hands on this essay collection, which is the ‘first major scholarly collection of essays on Christie in English.’.