Every year an equal number of Jewish boys and girls are born — but something years later, there are far more chuppah-minded women than men.
The Beatles in India Bythe Beatles had achieved commercial and critical success. Ringo Starr was the first to leave, less than two weeks later, as he said he could not stand the food;  McCartney departed in mid-March,  while Harrison and Lennon were more interested in Indian religion and remained until April.
Lennon wrote the bulk of the new material, contributing 14 songs. Some home demos and group sessions at Kinfauns were later released on the compilation Anthology 3. Instead of tightly rehearsing a backing track, as had happened in previous sessions, the group would simply record all the rehearsals and jamming, then add overdubs to the best take.
As work began, Abbey Road Studios possessed, but had yet to install, an 8-track machine that had supposedly been sitting in a storage room for several months. Unlike most LPs, there was no customary three-second gap between tracks, and the master was edited so that songs segued together, via a straight edit, a crossfade, or an incidental piece of music.
Lewisohn notes that several backing tracks do not feature the full group, and overdubs tended to be limited to whomever wrote the song.
The positive spirit of the session disappeared immediately, and the engineer Ken Scott later claimed: Lewisohn also reports that, in the case of "Back in the U. He duly returned on 5 September to find his drum kit decorated with flowers,  a welcome-back gesture from Harrison.
We were just about to break up, and that was tense in itself",  while Lennon later said "the break-up of the Beatles can be heard on that album". Whereas on prior Beatles albums, the band was getting into the habit of mixing several musical genres into a single song, on The White Album every song is faithful to its selected genre.
Side one[ edit ] McCartney wrote " Back in the U. The style is typical of the acoustic songs written in Rishikesh, using guitar arpeggios.
The track took a surprising amount of time to complete, with McCartney demanding perfectionism that annoyed his colleagues. He demanded a cut of publishing when the song was released, but the song was credited to "Lennon-McCartney".
Marmalade recorded a version that became a number one hit. It is typical of the brief snippets of songs he recorded between takes during the album sessions. Ono sings one line and co-sings another, while Chris Thomas played the mellotronincluding improvisations at the end of the track.
Clapton was unsure about guesting on a Beatles record, but Harrison said the decision was "nothing to do with them. The final version consisted of the best half of two takes edited together.
Martin composed a brass band arrangement for the track. The song was taped in a single session, and was one of the tracks that Martin felt was " filler " and only put on because the album was a double. The basic track consisted of Starr drumming while McCartney played piano.
McCartney suggested it was "tit for tat" as he had not contributed to "Revolution 9". Despite meditating and the tranquil atmosphere, he still felt unhappy, which was reflected in the lyrics. He performed the track solo alongside a Martin-scored brass arrangement.
The final mix was sped up by mixing the tape running at 43 hertz instead of the usual The initial takes were performed by the band live and included long passages during which they jammed on their instruments. By all accounts, the session was chaotic, but nobody dared suggest to any of the Beatles that they were out of control.
Harrison reportedly ran around the studio while holding a flaming ashtray above his head, "doing an Arthur Brown ". This was one of the key tracks that led Manson to believe the album had coded messages referring to apocalyptic war, and led to his movement of the same name.
The group ended the chosen take with a six-minute improvisation that had further overdubs added, before being cut to the length heard on the album.
The brass arrangement was added later. The opening section of the track had the sound of an old 78 RPM record overdubbed  while Martin arranged a saxophone and clarinet part in the same style.
Lennon played the guitar solo on the track, but later said he hated the song, calling it "beyond redemption". The track featured a saxophone sextet arranged by Thomas, who also played keyboards. Martin played harmonium on the track.
Lennon, Harrison and Ono added further tape collages and spoken word extracts, in the style of Karlheinz Stockhausen.“Yanks big on home tech”, by David Jundson, in the Montreal Gazette.
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Side two McCartney got the The Beatles was the last Beatles album to be mixed separately for stereo and mono, 30 songs you can go through and listen to at will, certain of finding some pearls that even today remain unparalleled". In